Art Spiegelman's Picks

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Welcome to the bizarre world of Fletcher Hanks, Super Wizard of the Inkwell, whose legacy is a hailstorm of tales of brutal retribution. Hawks worked for only a few years in the earliest days of the comic book industry (1939-1941). Because he worked in a gutter medium for second-rate publishers in third-rate characters, his work has largely been forgotten. But among aficionados - and Paul Karasik is right at the front of the line - he is legendary. This book collects fifteen of Hanks's stories (perpetrated in the spirit of a deranged, nightmarish vigor) in one volume, hinged to an afterword that illuminates aspects of his immensely sad, yet salvaged-by-creativity life. Color illus. 120p.
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This volume presents the first three years' Sundays of George Herriman's masterpiece, featuring his immortal triangle of 'kat,' 'mice,' and 'pupp'. In addition to these newly restored stripsthe book includes intriguing biographical material about Herriman by series editor Bill Blackbeard and a portfolio of never-before-reprinted pre-Krazy Kat Herriman strips including some early sightings of Pre-Krazy Kat (felines) - plus some special surprises. Color/b&w illus.
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Rafah, a town at the bottommost tip of the Gaza Strip, has long been a notorious flashpoint in the bitter Middle East conflict. Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinians shot dead by Israeli soldiers. In a quest to get to the heart of what happened, Joe Sacco immerses himself in the daily life of Rafah and the neighboring town of Khan Younis, uncovering Gaza past and present. As in Palestine and Safe Area Goradze, his unique visual journalism renders a contested landscape in brilliant, meticulous detail. Spanning fifty years, moving fluidly between one war and the next, Sacco's most ambitious work to date transforms a critical conflict into an intimate and immediate experience. Illustrations throughout. 432p.
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Presented as a panorama of a single day in New York City, this collection of drawings by Denys Wortman goes a long way in 'rescuing' the cartoonist's work from oblivion. The result of some online sleuthing by James Sturm led to a connection with Wortman's son, who relayed that an archive of more than five thousand illustrations was literally sitting in his shed. For over thirty-five years, they'd been fighting the elements, i.e., rodents, rusty paperclips, and even a blizzard! Here, from coal cellars to roof tops, and opera houses to boarding houses, Wortman recorded the sailors, dishwashers, con artists, entertainers, pushcart peddlers, construction workers, musicians, hobos, society mastrons, young mothoers, secretaries, and students who collectively made the city what it was and is today. Index of Dates of Drawings. B&W illustrations throughout. 288p.
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