Art Spiegelman's Picks

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Seasons

By Blexbolex

Our Price: $20.65
Words & prhases loosely associated with the seasons appear in a blocky pink font on each page above grainy milutivariously colored prints. The grainy matte paper, rich colors , and deceptively simple images combine to create breathtaking effects. 180p. (Ages: 4-8).
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From March 21, 1928, to May 29, 1940, more than 600 issues of the French weekly magazine VU were published. VU initiated and developed the idea that extensive use of photography could produce an objective view of the world, like a movie newsreel on paper. The magazine covered an eclectic range of subjects including politics and current events, social issues, discoveries, disasters, the arts, sport, entertainment: anything that would surprise or delight. VU also made use of photomontage as a stte-of-the-art vehicle for pointed political or social citicism. This anthology offers a superb snapshot of an entire era, providing an unparalleled insight into the emergence of modern media.
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Rafah, a town at the bottommost tip of the Gaza Strip, has long been a notorious flashpoint in the bitter Middle East conflict. Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinians shot dead by Israeli soldiers. In a quest to get to the heart of what happened, Joe Sacco immerses himself in the daily life of Rafah and the neighboring town of Khan Younis, uncovering Gaza past and present. As in Palestine and Safe Area Goradze, his unique visual journalism renders a contested landscape in brilliant, meticulous detail. Spanning fifty years, moving fluidly between one war and the next, Sacco's most ambitious work to date transforms a critical conflict into an intimate and immediate experience. Illustrations throughout. 432p.
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With this fourth volume of the series, Segar's Poeye reaches one of its highest peaks in 'Plunder Island,' the glorious, epic-length Sunday-continuity adventure that ran for eight months and pitted the intrepid sailorman against the malevolent Sea Hag and her terrifyiing, grotesque sidekick the goon - helped, and sometimes hindered by, the easily corruptible J. Wellington Wimpy. Presented here for the first time in its complete, full-color, uncut glory! Meanwhile, the 'dailies' section rocks! Illus., color/b&w. 168p.
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In keeping with his goal of issuing a volume of his occasionally lauded ACME series once every new autumn, volume 20 finds cartoonist Chris Ware continuing his "Rusty Brown" graphic novel experiment.
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Wolverton's work predates by decades many of the more acerbic comics of the '60s underground comix era, including those of r. Crumb, and is revered for his graphic lunacy and his matchless facility with pen and ink. His influence is evident not only in Crumb's now canonized cmoics, but also in contemporary graphic novels by Ben Friedman, Gary Panter, Charles burns and Peter Bagge. This book, made up of the comic artist Glen Bray's collection of Wolverton's rare original art, some of it previously unpubished, provides welcome evidence of his range. Illus. 200p.
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This volume features another three years' worth of Sunday strips - over 150 little masterpieces, featuring the greatest comnic-stip lovre triangle of all time: 'kat,' 'mice' and 'pupp.' Each page is a hilarious, poetic masterpiece crackling with verbal wit and graphic brilliance. B&W cartoons and other illustrations. 176p.
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