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In this richly crafted collection of essays from National Book Foundation Medal Winnin poet and essayist Adrienne Rich readers are given a erudite and charmingly precise chronicle of the relation between art and social justice. 'A Human Eye' makes remarkable use of the poet's sensibilities in exploring such issues as language and its power to shape not only those who use it as a vocational tool, but also the impact it has on entire cultures and societies.Among the diverse subjects touched in this collection are socialist manifestos for young readers, rereading early works of Amiri Baraka, the texts of Zionism and the Jewish Diaspora, and many more fascinating essays on the art of words.
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The volume gathers a selection of Adrienne Rich’s most incisive essays from the last two decades. The poet explores how the impulse to make art both impels toward and interacts with social change, a theme she traces through various manifestations, including the letters of poets Robert Duncan and Denise Levertov, gay and lesbian politics and poetry, and influential texts on Zionism and the Jewish diaspora. Notes, Permissions, Index. 180p.
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Poems focus on the themes of self-searching and self-discovery journeys beyond self to find other selves within each individual and other selves outside
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A collection of poems focuses on such topics as the land's hope and despair, people's dreams and nightmares, and love and anguish
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Essays & conversations by the lesbian feminist writer.
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An anthology of contemporary poets presents works that reflect the diversity in American poetry
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"I came to explore the wreck. / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail." These provocative poems move with the power of Rich's distinctive voice.
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The Fact of a Doorframe is the ideal introduction to Rich's opus, from her formative lyricism in A Change of Word (1951), to the groundbreaking poems of Diving into the Wreck (1973), to the searching voice of Fox (2001).
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A collection of poetry that reflects the author's signature themes--the discourse between poetry and history, dialogues between poets and visual artists, and interlocutions within and across gender.
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Drawing upon 12 volumes of her published work as well as a manuscript posthumously left behind, this collection from the award-winning poet includes “From Strata,” “Itinerary,” “For the Young Anarchists” and “Theethsucking Bird.”
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Adrienne Rich's influential and landmark investigation concerns both the experience and the institution of motherhood.
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At issue are the politics of language; the uses of scholarship; and the topics of racism, history, and motherhood among others called forth by Rich as "part of the effort to define a female consciousness which is political, aesthetic, and erotic, and which refuses to be included or contained in the culture of passivity."
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In this collection of poems, Adrienne Rich reeturns to the musical influences that encouraged her to start writing poetry at a very young age: music, blues refrains, improvisations and the sound of birdsong. Notes on the Poems. 108p.
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Anne Bradstreet was one of our earliest feminists and the first true poet in the American colonies. This collection of her extant poetry and prose, scrupulously edited by Jeannine Hensley, has long been the standard edition of Bradstreet's work. Hensley's introduction sketches the poet's life, and Adrienne Rich's foreword offers a sensitive critique of Bradstreet as a person and as a writer. The John Harvard Library edition includes a chronology of Bradstreet's life and an updated bibliography.
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