Devils

By Dostoevsky, Fyodor|Briggs, A. D. P.|Garnett, Constance
Devils

Details

Authors: Dostoevsky, Fyodor|Briggs, A. D. P.|Garnett, Constance
Copyright: 2010
Format: Paperback
GTIN13: 9781840220995
ISBN10: 1840220996
Page Count: 720
Dimensions: 4.9x1.6x7.7
Publisher: Wordsworth Editions

Strand Notes

In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave a small group of revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of DEVILS, a title that refers to the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people in Russian society at the time. The key figure in the novel, however, is beyond politics. Nicolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly seccual crime - in a chapter long suppressed by the sensor. Complete and unabridged. 694p.

Description

Translated by Constance Garnett with an Introduction by A.D.P. Briggs.

In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave a small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils, a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time.

The satirical portraits of the revolutionaries, with their naivety, ludicrous single-mindedness and readiness for murder and destruction, might seem exaggerated - until we consider their all-too-recognisable descendants in the real world ever since. The key figure in the novel, however, is beyond politics. Nikolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly sexual crime - in a chapter long suppressed by the censor.

This prophetic account of modern morals and politics, with its fifty-odd characters, amazing events and challenging ideas, is seen by some critics as Dostoevsky's masterpiece.

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