Rachel Vorona Cote: Too Much: How Victorian Constraints Still Bind Women Today (w/ Maris Kreizman)
Wednesday February 26: 7:30PM – 8:30PM
Buy a copy of Too Much: How Victorian Constraints Still Bind Women Today or a $15 gift card in-store to attend. This event will take place in the Rare Book Room.
Doors open 30 minutes before the start of the event.
A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are repugnantly excessive, that we have taken illicit liberties to feel or fuck or eat with abandon. After bellowing like a barn animal in orgasm, hoovering a plate of mashed potatoes, or spraying out spit in the heat of expostulation, we've flinched-ugh, that was so gross. I am so gross. On rare occasions, we might revel in our excess--belting out anthems with our friends over karaoke, perhaps--but in the company of less sympathetic souls, our uncertainty always returns. A woman who is “too much” is a woman who reacts to the world with ardent intensity is a woman familiar to lashes of shame and disapproval, from within as well as without.
Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, Too Much encourages women to reconsider the beauty of their excesses-emotional, physical, and spiritual. Rachel braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's "hysterical" behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us "too much."
Join us on the 2nd floor for a discussion between author Rachel Vorona Cote and writer and critic, Maris Kreizman.
Rachel Vorona Cote publishes frequently in such outlets as the New Republic, Longreads, Pitchfork, Rolling Stone, Literary Hub, Catapult, the Poetry Foundation, Hazlitt, and the Los Angeles Review of Books, where her essay on Taylor Swift and Victorian female friendship was one of the site's most read essays in 2015. She was also previously a contributing writer at Jezebel. Rachel holds a BA from the College of William and Mary and was ABD in a doctoral program in English at the University of Maryland, studying and teaching the literature of the Victorian period. She and her husband live in Takoma Park, MD, just outside of Washington, D.C.
Maris Kreizman is the host of the LitHub podcast, The Maris Review, the creator of Slaughterhouse 90210, a blog and book (Flatiron Books, 2015) that celebrates the intersection of literature and pop culture. She's a writer and critic, as well as a former book editor and, most recently, she was the editorial director of Book of the Month.