The Sound of Things Falling

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The Sound of Things Falling Fiction
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Product Description

Juan Gabriel Vásquez has been hailed not only as one of South America’s greatest literary stars, but also as one of the most acclaimed writers of his generation. In this gorgeously wrought, award-winning novel, Vásquez confronts the history of his home country, Colombia.
In the city of Bogotá, Antonio Yammara reads an article about a hippo that had escaped from a derelict zoo once owned by legendary Colombian drug kingpin Pablo Escobar. The article transports Antonio back to when the war between Escobar’s Medellín cartel and government forces played out violently in Colombia’s streets and in the skies above. Back then, Antonio witnessed a friend’s murder, an event that haunts him still. As he investigates, he discovers the many ways in which his own life and his friend’s family have been shaped by his country’s recent violent past. His journey leads him all the way back to the 1960s and a world on the brink of change: a time before narco-trafficking trapped a whole generation in a living nightmare.
Vásquez is “one of the most original new voices of Latin American literature,” according to Nobel Prize winner Mario Vargas Llosa, and The Sound of Things Falling is his most personal, most contemporary novel to date, a masterpiece that takes his writing—and will take his literary star—even higher.

Editorial Reviews

Scocca, "Off the Record" columnist for the New York Observer, offers a timely chronicle of China's transformation through an eyewitness account of how Beijing refurbished itself for the 2008 Olympics. From 2004 to 2010, Scocca records how the measures China took to present its best face to the world, restricting public spitting, banning the sale of knives in light of a stabbing, and winning 51 gold medals in the games themselves. He excels at straddling the line between the personal and sociopolitical: he marks the birth of his son and celebrating Christmas in the capital as larger changes in consumption and national identity sweep China. These personal touches are welcome reprieves in a text often inundated with sociological detail. The dizzying descriptions of the ringed layout of Beijing or the denizens of his apartment's alleyway are often difficult to keep track of, especially when laced together with the country's athletic preparation, architectural feats, and even attempts at controlling the weather. But in destabilizing the reader, the welter of sensory data and anecdote allows sharing in the author's bewilderment as Beijing constantly reimagines and reshapes itself. (Aug.)

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