Mark Morris: Out Loud (with Wendy Lesser & The Center for Ballet and the Arts)
Friday November 1: 7:00PM – 8:00PM
Buy a copy of Out Loud or a $15 gift card in-store to attend. This event will take place in the 3rd floor Rare Book Room.
Doors open 30 minutes before showtime.
Before Mark Morris became “the most successful and influential choreographer alive” (The New York Times), he was a six year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Often the only boy in the dance studio, he was called a sissy, a term he wore like a badge of honor. He was unlike anyone else, deeply gifted and spirited.
Moving to New York at nineteen, he arrived to one of the great booms of dance in America. Audiences in 1976 had the luxury of Merce Cunningham’s finest experiments with time and space, of Twyla Tharp’s virtuosity, and Lucinda Childs's genius. Morris was flat broke but found a group of likeminded artists that danced together, travelled together, slept together. No one wanted to break the spell or miss a thing, because “if you missed anything, you missed everything.” This collective, led by Morris’s fiercely original vision, became the famed Mark Morris Dance Group.
Suddenly, Morris was making a fast ascent. Celebrated by The New Yorker’s critic as one of the great young talents, an androgynous beauty in the vein of Michelangelo’s David, he and his company had arrived. Collaborations with the likes of Mikhail Baryshnikov, Yo-Yo Ma, Lou Harrison, and Howard Hodgkin followed. And so did controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop in Broadway history. But through the Reagan-Bush era, the worst of the AIDS epidemic, through rehearsal squabbles and backstage intrigues, Morris emerged as one of the great visionaries of modern dance, a force of nature with a dedication to beauty and a love of the body, an artist as joyful as he is provocative.
Out Loud is the bighearted and outspoken story of a man as formidable on the page as he is on the boards. With unusual candor and disarming wit, Morris’s memoir captures the life of a performer who broke the mold, a brilliant maverick who found his home in the collective and liberating world of music and dance.
Join us in the Rare Book Room as Mark shares his story. Mark will be joined in conversation by author and editor Wendy Lesser!
Mark Morris was born on August 29, 1956, in Seattle, Washington. He formed the Mark Morris Dance Group (MMDG) in 1980 and has since created close to 150 works for the company. From 1988 to 1991, he was Director of Dance at the Théâtre Royal de la Monnaie in Brussels. In 1990, he founded the White Oak Dance Project with Mikhail Baryshnikov. Morris is also an acclaimed ballet choreographer and opera director.
Wendy Lesser, the founding and current editor of The Threepenny Review, is the author of eleven nonfiction books and one novel. Her next book, entitled Scandinavian Noir: In Pursuit of a Mystery, will be out from Farrar Straus & Giroux in May 2020. She has received awards and fellowships from the Guggenheim Foundation, the American Academy in Berlin, the National Endowment for the Humanities, the Cullman Center for Scholars and Writers, and many other institutions, and she is a fellow of the American Academy of Arts & Sciences as well as of the New York Institute for the Humanities. Her journalistic writing about literature, dance, film, and music has appeared in a number of periodicals in America and abroad. Born in California and educated at Harvard, Cambridge, and UC Berkeley, Lesser now divides her time between Berkeley and New York.
This event is copresented with NYU's Center for Ballet and the Arts. The Center for Ballet and the Arts at New York University is an international research institute for scholars and artists of ballet and its related arts and sciences. It exists to inspire new ideas and new dances, expanding the way we think about the art form's history, practice, and performance in the 21st century.