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  • Artists on Andy Warhol

    By Robert Buck

    Our Price: $7.50 - $14.95
    • Format: Paperback
    • ISBN-13: 9780944521861
    • Publisher: Dia Art Foundation
    • Published: August 2018
  • Kara Walker - MCMXCIX

    By Kara Walker

    Our Price: $36.50
    • Format: Paperback
    • ISBN-13: 9789491843990
    • Publisher: Roma Publications
    • Published: January 2017
  • Kara Walker : Slavery! Slavery!

    By Kara Walker

    Our Price: $90.00
    • Format: Wrappers
    • ISBN-13: 9789112541762
    • Publisher: International Arts and Artists
    • Published: 2002
    Slim oblong 8vo. Exhibition catalogue in conjunction with The 25th International Bienal of Sao Paulo, Brazil, March 23 - June 2, 2002. Text in English and Portuguese. Light rubbing and soiling to covers. Significant bumped crease to top forecorner of both covers, impacting leaves. VG in wrappers.
  • Kara Walker Slavery! Slavery!

    By Kara Walker

    Our Price: $100.00
    • Format: Wrappers
    • ISBN-13: 9789112342413
    • Publisher: International Arts & Artists
    • Published: 2001
    Slim oblong 8vo. Exhibition catalogue in conjunction with The 25th International Bienal of Sao Paulo, Brazil, March 23 - June 2, 2002. Text in English and Portuguese. Light rubbing, soiling, and wear to wrappers. VG in wrappers.
  • Kara Walker: Figa

    By Kara Walker

    Our Price: $35.00
    • Format: Hardcover
    • ISBN-13: 9786185039325
    • Publisher: DESTE Foundation for Contemporary Art
    • Published: May 2019
  • Seeing the Unspeakable: The Art of Kara Walker

    By Kara Walker

    Our Price: $24.95
    • Format: Paperback
    • ISBN-13: 9780822333968
    • Publisher: DUKE UNIVERSITY PRESS
    • Published: December 2004
    One of the youngest recipients of a MacArthur “genius” grant, Kara Walker, an African American artist, is best known for her iconic, often life-size, black-and-white silhouetted figures, arranged in unsettling scenes on gallery walls. These visually arresting narratives draw viewers into a dialogue about the dynamics of race, sexuality, and violence in both the antebellum South and contemporary culture. Walker’s work has been featured in exhibits around the world and in American museums including the Museum of Modern Art, the Guggenheim, and the Whitney. At the same time, her ideologically provocative images have drawn vociferous criticism from several senior African American artists, and a number of her pieces have been pulled from exhibits amid protests against their disturbing representations. Seeing the Unspeakable provides a sustained consideration of the controversial art of Kara Walker.Examining Walker’s striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker’s pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven, John Brown, A Means to an End, and Cut. She offers an overview of Walker’s life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers’ sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents’ generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America’s racist past and conflicted present.

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