Running

By Jean Echenoz, (Translator) Linda Coverdale
Running

Details

Authors: Jean Echenoz, (Translator) Linda Coverdale
Copyright: 2009
Format: Hardcover
GTIN13: 9781595584731
ISBN10: 1595584730
Page Count: 1285
Dimensions: 6.47x0.55x8.1
Publisher: The New Press

Strand Notes

Jean Echenoz's "Running" is a brilliant mixture of fiction and literature inspired by one of the greatest runners of the twentieth century, Emil Zatopek. Zatopek was a factory worker who discovered his passion for long-distance running by accident when he is forced to participate in a footrace. Through determination, a trutal training schedule, and sheer talent, Zatopek broke numerous world records and won three gold medals at the 1952Olympics in Helsinki. But despite his enormous success, he became a victim of the communist regime. "Running" is a fictionalized account of this one-of-a-kind athlete and the harrowing life he led.

Description

Following his brilliant portrait of Maurice Ravel, Jean Echenoz turns to the life of one of the greatest runners of the twentieth century, and once again demonstrates his astonishing abilities as a prose stylist. Set against the backdrop of the Soviet liberation and post-World War II communist rule of Czechoslovakia, Running--a bestseller in France--follows the famed career of Czech runner Emil Z topek: a factory worker who, despite an initial contempt for athletics as a young man, is forced to participate in a footrace and soon develops a curious passion for the physical limits he discovers as a long-distance runner.

Z topek, who tenaciously invents his own brutal training regimen, goes on to become a national hero, winning an unparalleled three gold medals at the 1952 Helsinki Olympics and breaking countless world records along the way. But just as his fame brings him upon the world stage, he must face the realities of an increasingly controlling regime.

Written in Echenoz's signature style--elegant yet playful--Running is both a beautifully imagined and executed portrait of a man and his art, and a powerful depiction of a country's propagandizing grasp on his fate.


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