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Fiction - March 2019
Gingerbread by Helen Oyeyemi
The prize-winning, bestselling author of Boy, Snow, Bird and What Is Not Yours Is Not Yours returns with a bewitching and inventive novel.
Influenced by the mysterious place gingerbread holds in classic children’s stories, beloved novelist Helen Oyeyemi invites readers into a delightful tale of a surprising family legacy, in which the inheritance is a recipe.
Perdita Lee may appear to be your average British schoolgirl; Harriet Lee may seem just a working mother trying to penetrate the school social hierarchy; but there are signs that they might not be as normal as they think they are. For one thing, they share a gold-painted, seventh-floor walk-up apartment with some surprisingly verbal vegetation. And then there’s the gingerbread they make. Londoners may find themselves able to take or leave it, but it’s very popular in Druhástrana, the far-away (or, according to many sources, non-existent) land of Harriet Lee’s early youth. The world’s truest lover of the Lee family gingerbread, however, is Harriet’s charismatic childhood friend Gretel Kercheval —a figure who seems to have had a hand in everything (good or bad) that has happened to Harriet since they met.
Decades later, when teenaged Perdita sets out to find her mother’s long-lost friend, it prompts a new telling of Harriet’s story. As the book follows the Lees through encounters with jealousy, ambition, family grudges, work, wealth, and real estate, gingerbread seems to be the one thing that reliably holds a constant value. Endlessly surprising and satisfying, written with Helen Oyeyemi’s inimitable style and imagination, it is a true feast for the reader.
Young Adult - March 2019
Opposite of Always by Justin A. Reynolds
When Jack and Kate meet at a party, bonding until sunrise over their mutual love of Froot Loops and their favorite flicks, Jack knows he’s falling—hard. Soon she’s meeting his best friends, Jillian and Franny, and Kate wins them over as easily as she did Jack.
But then Kate dies. And their story should end there.
Yet Kate’s death sends Jack back to the beginning, the moment they first meet, and Kate’s there again. Healthy, happy, and charming as ever. Jack isn’t sure if he’s losing his mind.
Still, if he has a chance to prevent Kate’s death, he’ll take it. Even if that means believing in time travel. However, Jack will learn that his actions are not without consequences. And when one choice turns deadly for someone else close to him, he has to figure out what he’s willing to do to save the people he loves.
Art & Photography - March 2019
Ethan James Green: Young New York by Ethan James Green
Young New York, Ethan James Green’s first monograph, presents a selection of striking portraits of New York’s millennial scene-makers, a gloriously diverse cast of models, artists, nightlife icons, queer youth, and gender binary–flouting muses of the fashion world and beyond. Under the mentorship of the late David Armstrong, Green developed a sensitive and confident style and an intense connection with his subjects; his luminous black-and-white portraits, many taken in Corlears Hook Park on the Lower East Side, bring to mind Diane Arbus’s midcentury studies of gender nonconformists. Although he often shoots on commission for fashion brands and magazines, for Young New York, Green photographed his close friends and community for more than three years, and his humanist approach transcends the trends of the moment.
Young New York promises to announce a bright young talent who is redefining beauty and identity for a new generation. In the words of the model and actress Hari Nef, one of Green’s frequent subjects, “In Ethan’s world, the kids who inspire him ought to be (and are) the subjects of his work. Ethan is an artist among so-called image makers.”
Political Nonfiction - March 2019
What You Have Heard is True by Carolyn Forché
The powerful story of a young poet who becomes an activist through a trial by fire
What You Have Heard is True is a devastating, lyrical, and visionary memoir about a young woman’s brave choice to engage with horror in order to help others. Written by one of the most gifted poets of her generation, this is the story of a woman’s radical act of empathy, and her fateful encounter with an intriguing man who changes the course of her life.
Carolyn Forché is twenty-seven when the mysterious stranger appears on her doorstep. The relative of a friend, he is a charming polymath with a mind as seemingly disordered as it is brilliant. She’s heard rumors from her friend about who he might be: a lone wolf, a communist, a CIA operative, a sharpshooter, a revolutionary, a small coffee farmer, but according to her, no one seemed to know for certain. He has driven from El Salvador to invite Forché to visit and learn about his country. Captivated for reasons she doesn’t fully understand, she accepts and becomes enmeshed in something beyond her comprehension.
Together they meet with high-ranking military officers, impoverished farm workers, and clergy desperately trying to assist the poor and keep the peace. These encounters are a part of his plan to educate her, but also to learn for himself just how close the country is to war. As priests and farm-workers are murdered and protest marches attacked, he is determined to save his country, and Forché is swept up in his work and in the lives of his friends. Pursued by death squads and sheltering in safe houses, the two forge a rich friendship, as she attempts to make sense of what she’s experiencing and establish a moral foothold amidst profound suffering. This is the powerful story of a poet’s experience in a country on the verge of war, and a journey toward social conscience in a perilous time.
Feminist Literature - March 2019
Daily Rituals: Women at Work by Mason Currey
More of Mason Currey’s irresistible Daily Rituals, this time exploring the daily obstacles and rituals of women who are artists–painters, composers, sculptors, scientists, filmmakers, and performers. We see how these brilliant minds get to work, the choices they have to make: rebuffing convention, stealing (or secreting away) time from the pull of husbands, wives, children, obligations, in order to create their creations.
From those who are the masters of their craft (Eudora Welty, Lynn Fontanne, Penelope Fitzgerald, Marie Curie) to those who were recognized in a burst of acclaim (Lorraine Hansberry, Zadie Smith) . . . from Clara Schumann and Shirley Jackson, carving out small amounts of time from family life, to Isadora Duncan and Agnes Martin, rejecting the demands of domesticity, Currey shows us the large and small (and abiding) choices these women made–and continue to make–for their art: Isak Dinesen, “I promised the Devil my soul, and in return he promised me that everything I was going to experience would be turned into tales,” Dinesen subsisting on oysters and Champagne but also amphetamines, which gave her the overdrive she required . . . And the rituals (daily and otherwise) that guide these artists: Isabel Allende starting a new book only on January 8th . . . Hilary Mantel taking a shower to combat writers’ block (“I am the cleanest person I know”) . . . Tallulah Bankhead coping with her three phobias (hating to go to bed, hating to get up, and hating to be alone), which, could she “mute them,” would make her life “as slick as a sonnet, but as dull as ditch water” . . . Lillian Hellman chain-smoking three packs of cigarettes and drinking twenty cups of coffee a day–and, after milking the cow and cleaning the barn, writing out of “elation, depression, hope” (“That is the exact order. Hope sets in toward nightfall. That’s when you tell yourself that you’re going to be better the next time, so help you God.”) . . . Diane Arbus, doing what “gnaws at” her . . . Colette, locked in her writing room by her first husband, Henry Gauthier-Villars (nom de plume: Willy) and not being “let out” until completing her daily quota (she wrote five pages a day and threw away the fifth). Colette later said, “A prison is one of the best workshops” . . . Jessye Norman disdaining routines or rituals of any kind, seeing them as “a crutch” . . . and Octavia Butler writing every day no matter what (“screw inspiration”). Germaine de Staël . . . Elizabeth Barrett Browning . . . George Eliot . . . Edith Wharton . . . Virginia Woolf . . . Edna Ferber . . . Doris Lessing . . . Pina Bausch . . . Frida Kahlo . . . Marguerite Duras . . . Helen Frankenthaler . . . Patti Smith, and 131 more–on their daily routines, superstitions, fears, eating (and drinking) habits, and other finely (and not so finely) calibrated rituals that help summon up willpower and self-discipline, keeping themselves afloat with optimism and fight, as they create (and avoid creating) their creations.
Mystery & Suspense - March 2019
A Friend is a Gift You Give Yourself by William Boyle
Goodfellas meets Thelma and Louise when an unlikely trio of women in New York find themselves banding together to escape the clutches of violent figures from their pasts.
After Brooklyn mob widow Rena Ruggiero hits her eighty-year-old neighbor Enzio in the head with an ashtray when he makes an unwanted move on her, she embarks on a bizarre adventure. Taking off in Enzio’s ’62 Impala, she retreats to the Bronx home of her estranged daughter, Adrienne, and her granddaughter, Lucia, only to be turned away by Adrienne at the door. Their neighbor, Lacey “Wolfie” Wolfstein, a one-time Golden Age porn star and retired Florida Suncoast grifter, takes Rena in and befriends her.
When Lucia discovers that Adrienne is planning to hit the road with her ex-boyfriend Richie, she figures Rena’s her only way out of a life on the run with a mother she can’t stand. But Richie has massacred a few members of the Brancaccio crime family for a big payday, and he drags even more trouble into the mix in the form of an unhinged enforcer named Crea. The stage is set for an explosion that will propel Rena, Wolfie, and Lucia down a strange path, each woman running from something and unsure what comes next.
A Friend Is a Gift You Give Yourself is a screwball noir about finding friendship and family where you least expect it, in which William Boyle again draws readers into the familiar—and sometimes frightening—world in the shadows at the edges of New York’s neighborhoods.
Sci-Fi & Fantasy - March 2019
Radicalized by Cory Doctorow
New York Times bestseller Cory Doctorow, one of the most on-pulse genre voices of our generation, returns with Radicalized, a timely book comprised of four SF novellas connected by social, technological, and economic visions of today and what America could be in the near, near future.
Unauthorized Bread is a tale of immigration, the toxicity of economic and technological stratification, and the young and downtrodden fighting against all odds to survive and prosper.
In Model Minority, a Superman-like figure attempts to rectify the corruption of the police forces he long erroneously thought protected the defenseless… only to find his efforts adversely affecting their victims.
Radicalized is a story of a dark web-powered violent uprising against insurance companies told from the perspective of a man desperate to secure funding for an experimental drug that could cure his wife’s terminal cancer.
The fourth story, Masque of the Red Death, harkens back to Doctorow’s Walkaway, taking on issues of survivalism versus community.
Little Readers - March 2019
Let's Have a Dog Party by Mikela Prevost
A sparkling debut that celebrates friendship and encourages empathy, starring a lovable dog.
Kate and Frank are best friends. To celebrate Frank’s birthday, Kate throws him a party with all her favorite things: lots of friends, dancing in circles, loud singing, and sparkly confetti everywhere. But best friends don’t always have the same taste in parties. Frank prefers quiet, sun-drenched naps on his favorite rug. So he hides. Kate must find a way to bring Frank back to the party–on his own terms.
This tender debut picture book by Mikela Prevost is a fresh take on the classic birthday-party story, and one that encourages empathy and the art of listening.
Timeless Favorites - March 2019
The Street by Ann Petry
The Street tells the poignant, often heartbreaking story of Lutie Johnson, a young black woman, and her spirited struggle to raise her son amid the violence, poverty, and racial dissonance of Harlem in the late 1940s. Originally published in 1946 and hailed by critics as a masterwork, The StreetThe was Ann Petry's first novel, a beloved bestseller with more than a million copies in print. Its haunting tale still resonates today.